Cultural Appropriation and Misappropriation of the Five Percent

RZA and others during Hajj to Mecca

     Language is the heart of a culture. It is the vehicle that enables us to transmit and receive ideas, stories, principles, values, and traditions that shape our identify and define every aspect of our way of life. It is one of the most important parts that determine how we live. 

     As a Five Percenter, we possess a unique language that represents the heart of our culture. Our language is constructed from our Supreme Mathematics, Supreme Alphabet, 120 Lessons and a variety of colloquialisms, idioms, proverbs and lingo that were all born within our Five Percent community. There is no other group of people on the planet who can make this claim. Since our formal 1964 inception in Harlem, NY, many people have been exposed to our unique language and other elements of our culture, based upon their proximity to us. However, that proximity did not, and still does not, make them us. Just like living around Dominican neighbors, learning some Spanish phrases, listening to Dominican music and eating Dominican food does not make someone Dominican. If someone were to claim to be Dominican, based upon their proximity, it would be cultural appropriation. Cultural misappropriation is when this same claim is used to make products and/or provide services to package, commodify and monetize Dominican culture. The same analogy applies to any culture, including my culture of the Five Percent. 

    In the 1960s, the first Five Percenters were sometimes confused with being Muslims and practicing the religion of Islam. Part of the confusion is because the founder of the Five Percent Nation was once a Muslim by the name of Clarence 13X and a registered member of the Nation of Islam's Temple #7 in Harlem, NY. In 1964 he renounced his Muslim beliefs, left the Nation of Islam and ceased using the name Clarence 13X. He began to use the name "Allah." Allah, in collaboration with a few close companions who also renounced their Muslim beliefs, began to create our unique language that shaped our identity, defined and communicated Five Percent culture. To distinguish ourselves from Muslims and their belief system, Allah also encouraged us to change and/or create names from our Supreme Mathematics. For example, Bilal or Jihad came to be known as ABG7. Following this change, names for Five Percenters like Wise, Ralik, Supreme, Mecca, Mathematics, Sha-Asia, Queen, Equality, and etc. became common throughout NYC communities. Names that no other group of people on the planet were using to define themselves.

     As our movement began to grow throughout NYC boroughs among the youth, a cultural cross pollination began to occur where the proximity to Five Percenters within households, neighborhoods, schools, and other public and private spaces exposed people to our unique language and other cultural elements. Those who were Christian began to learn about and practice aspects of our special diet. While some of them stopped eating pork chops, most would not go as far as reading product labels to see if they contained pork byproducts. Some Muslims started hearing Five Percenter lingo and began to use some of it when they communicated. Yet the "Allah" that they worshipped was still a spirit, not the Black man's Arm, Leg, Leg, Arm and Head. For most people, exposure to our unique language and other cultural elements was not something that they completely embraced. For them, hearing us greet each other with "Peace God" was no different than someone saying "Hello." They didn't, and still don't, interpret that statement as a bold declaration that we are not tethered to a religion that worships an invisible entity outside of ourselves. 

      With the growth and expansion of the internet and social media, it has become harder for everyday people to distinguish who is a Five Percenter from those "who used to be" [never was], those who have been in proximity to us, and those who try to moonlight or cosplay as the Five Percent. It is difficult to address cultural appropriation. There is also no legal mechanism in place to address cultural misappropriation. While some everyday Five Percenters often dismiss this as insignificant or unimportant, as a Five Percent public figure I have a different experience and point of view. Everyday people are not contacted by the international/national press for a statement when something related to the Five Percenters is in the news. Everyday people are also not receiving inquiry emails, DMs, and messages every day from people around the world about Five Percent culture. That is my reality. I literally see the global implications of not addressing cultural misappropriation every single day.

                        Da God, 2008                                Experiments with High Explosives, 2012

     If I were to ask someone, "Did you receive more gold?", the average person has no idea what I'm asking them, its cultural context, and what their answer implies. If I made the casual comment about something being, "14 million square miles" or "a fine mist", most people would be completely lost. Even phrases like "wisdom knowledge", "born universal truth", "cee I power her, her power I cee", and "all the above" would go over someone's head. These are just some examples of our Five Percent language that is uniquely constructed from our Supreme Mathematics, Supreme Alphabet, 120 Lessons and a variety of colloquialisms, idioms, proverbs and lingo that were all born within our community. Imagine 'trying' to learn this language without community. Imagine believing that you can get all of this in a YouTube video, social media posts, or a book.  

This May 2026 will be 18 years since I co-authored/published my first book with my educator Raheem titled Da God. To my knowledge, Da God was THE FIRST BOOK ever written using the unfiltered language of Five Percent culture. Here was its summary:

"Da God represents a New Era within The Nation of Gods and Earths (NGE)/Five Percenters! Da God is the first of a series of 'Living Mathemanuals' that are designed to transcend the abstract, intellectualized concepts of the Gods and Earths (NGE)/Five Percenters). Da God takes you into the real life of 'Be God Allah'; giving an honest, unapologetic view of his world and his struggle with defining his 'God Centeredness' in a Society that doesn't support this worldview.

This MASTERSCRIPT has simultaneously set and raised the bar in regard to NGE Literature and represents the first literary model of practically applied NGE Nomenclature."

Da God, 2008

   Because this book was intentionally written in our language, we coined the phrase Mathemanual; a book immersed in language constructed from Supreme Mathematics, Supreme Alphabet, 120 Lessons and a variety of colloquialisms, idioms, proverbs and lingo that were all born within our Five Percent community. For many people, including newborn Five Percenters, Da God read like a foreign language, because it was. It was our attempt to communicate a cultural worldview that was fleeting due to the growth of the internet, social media and antisocial behavior. Four years later in 2012 I authored/published the next Mathemanual, a novel titled Experiments with High Explosives: The Chronicles of a Big-Headed Scientist. Experiments with High Explosives is a book told through the perspective of a man striving to make sense out of his relationships and the relationships that he observed. Through exploring these thoughts & feelings, I sought to empower the reader to consider their ideas about love. 

Drink Champs, June 14, 2025

     Recently RZA was featured in a YouTube interview discussing various aspects of his life and goes into depth about his journey with Five Percent culture and experiences with religion. In this interview, RZA taking a Shahada was discussed. A Shahada is a public declaration of faith in the Muslim religion and is one of its Five Pillars. This declaration that, "I bear witness that there is no god but Allah, and I bear witness that Muhammad is the Messenger of Allah" is typically performed in a mosque/masjid before an Imam and serves as the foundation of the other four pillars of Islam: Salah [five daily prayers], Zakat [giving charity], Sawm [fasting during Ramadan, and Hajj [pilgrimage to Mecca]. To be clear, in Five Percenter culture we don't have a tradition of taking Shahada, practicing Five Pillars or other religious practices like getting Baptized, Christenings and etc. If someone chooses to practice any of those religious traditions, that is a personal choice and should never be interpreted as speaking for or acting on behalf of our nation of the Five Percent or Allah Youth Center in Mecca.

     While some things in that interview were clarified about where RZA stands regarding the distinction between culture and religion, there were other things still left unclear to outside onlookers. Much of that interview was a conversation taking place before a virtual audience of mixed company [outside onlookers]. That mixed company was exposed to language spoken in and referencing our Five Percent culture that most outside onlookers do not understand. I think that it is important to understand that whichever way that RZA chooses to define himself is his prerogative. What is not a prerogative is what we say and do within the context of Five Percent culture. In other words, a woman cannot simultaneously be the Earth and work as a prostitute. We cannot claim that we are not a "poisonous animal eater" yet eat creatures from the bottom of the sea. We also cannot say that we are the true and living God and simultaneously pray to an entity/person outside of ourselves. There are certain differences between a culture and a religion that are simply irreconcilable. From my experience seeing and being around RZA, it's not uncommon for him to say and do things that are, or appear to be, a contradiction. I remember in the late 90s attending our Five Percent Nation's annual Educational Show & Prove and when RZA pulled up with Poppa Wu [Freedum Allah] and some Wu-Affiliates he was wearing a gold necklace with a huge cross pendant. Eventually a heated exchange took place where some Gods had RZA cornered outside of the event demanding an explanation for showing up wearing that religious symbol, especially around the children who might get confused. I think all of us may say and do things that are, or appear to be, contradictive. RZA is no different. When this occurs, the questions that I always ask are: 

• What are we doing to become better for ourselves, others, and our planet Earth? 
• How can we support others and/or what support do we need? 

    These questions don't dismiss actions that are, or appear to be, a contradiction. These questions are meant to critique something and refocus the conversation on what we are actually doing. It opens up a conversation for potential collaboration as opposed to criticism and contention. While I can relate to the frustration some of us experience when seeing confusing representations of our culture, I also understand the importance of how we choose to appropriate our time and resources to address it. I think that some of us spend too much time and resources talking about what we see as a problem and not enough time and resources creating actual solutions. 

    Culture is the sum total of all of our people activities that is centered/rooted in our language. And as I shared, our language is uniquely constructed from our Supreme Mathematics, Supreme Alphabet, 120 Lessons and a variety of colloquialisms, idioms, proverbs and lingo that were all born within our Five Percent community. As Five Percenters, we strive to be thoughtful about what we say and do, how it aligns with our culture, and the results of our words and actions. If we are honest, we would also acknowledge that some days we do better than other days. We are always a work in progress. Our way of life is not a religion nor are we religious. We are not missionaries spreading a gospel and we don't try to convert people to follow what we know. We don't have a house of worship; we create community outreach and youth advocacy spaces to serve as cultural anchor institutions in our cities. We are intentional about teaching those who are sincerely invested in learning our culture. Others will still learn, just being exposed to how we live. We are not followers and we don't have a hierarchal structure with a leader. We teach leadership and that people should only follow to the extent of learning to lead themselves. There is no other group of people on the planet who can make these collective claims. 

Peace,

Saladin #Atlantisbuild

Hey RZA, We Have Questions About Wu-Tang: An American Saga?

   Since its September 4th, 2019 Hulu release, Wu-Tang: An American Saga series has received mixed reviews from mainstream audiences, critics and citizens of the Five Percent Nation. With an 80% Rotten Tomatoes Rating, Daniel Fiendberg of The Hollywood Reporter writes, "the Wu built a brand based on the street-level drama of their primarily Staten Island upbringing, but filtered through lenses as eclectic as martial arts movies, comic books and 5 Percenter doctrine. The Wu narrative is gritty and grounded, while at the same time verging on urban legend or tall tale." He also goes on to state that, "it captures some of the group's kaleidoscopic perspective and nascent brilliance, but leaves too many of its best ideas half-developed."

   As a Five Percenter, it is no secret that our culture has been very influential in the growth, development and creative expression of the Wu-Tang Clan and its associated group members. In fact, RZA explicitly depicts some of our cultural elements in this series which most mainstream audiences are being exposed to for the first time. While some of those cultural elements were accurately depicted, other elements were not accurately depicted. Because of this, Five Percenters have shared mixed perspectives about how we were and are portrayed in this series. On October 18th I sent RZA an email concerning these perspectives which he has yet to respond to. In part, that email read:

"With the success of your series, and more mainstream exposure of various cultural elements of the Five Percent, I would like to interview you about that process. My readership would be interested in knowing what challenges come along with striving to articulate those cultural elements in a screenplay and presenting them in mainstream media on film? What was the process used to familiarize the actors with the culture of the Five Percent? What creative control do you have in our imagery, use of symbols and objects that express our culture in the series? What was your vision in regards to our depiction and how closely have you manifested that determined idea? These are just a few questions, and others, that many of us have regarding our cultural expression in this series. To my knowledge there is no interview, or interviewer who has allowed you to expound upon these important insights and I would be thankful to have an opportunity to responsibly make this happen!" 

   While some Five Percenters have been quoted on social media as saying, "Bullshit" and "That's why I'm not watching that series.... It's all watered down....", others have stated, "Wow peoples it's TV ya'll. I [am] thankful he [RZA] made Knowledge Born of our existence to the mainstream. I like it!" and "It's not a documentary. lol It's a TV series based on true events. Near Correct." I can understand and appreciate both perspectives. Since its release I have received three times as many inquiries about KOS [Knowledge Of Self] than I normally do. This has enabled me to respond to more questions regarding our culture and direct people to active Five Percenters in the inquirer's region. Creating consistent quality content from a Five Percenter perspective has enabled me to build this type of global platform that people can reference. While there were certain Five Percenter customs that were correctly depicted in this series such as the Just-Ice character questioning Rakeem [RZA] backstage about Today's Mathematics and Rakeem's breakdown of "justice" when questioned by the Gods on the block, there were other instances in this series that depicted us so inaccurate that any Five Percenter would question how much creative control RZA actually had in this series. For example, the emblem that Five Percenter actors wore was not our Universal Flag. As one Five Percenter put it, "reminds me of the Kellogg's Raisin Bran Logo." In the series our 120 Degrees/Lessons were presented as some type of book or manual that one could buy, not the book of life research binder that a student compiles as they responsibly acquire their Degrees/Lessons from their Educator/Enlightener. Although this Wu-Tang: An American Saga series is inspired by actual persons and events, the Five Percenter characterizations, dialogue and incidents that are fictionalized for the purpose of dramatization is still disinformation that can misled people about who we are as a Nation.  

   The release of the Wu-Tang: An American Saga series has definitely caused more people to inquire about the culture of the Five Percent. This same interest has occurred throughout the chronology of Hip Hop depending upon what Five Percenters or Five Percenter influenced Rap Artists were popular. This did not and does not automatically make a person qualified to learn anything. It is only through building actual relationships is that determined. Regardless of a person's interest, the release of a dramatic series or treading topics on social media, we as the Five Percent have been here and will continue to be here living out our culture. If a person is truly willing to seek, they will find us.

Peace,

Saladin